% Text title            : rAmastuti 3 (tulasIdAsa)
% File name             : rAmastuti.itx
% Category              : raama, stotra
% Location              : doc\_raama
% Transliterated by     : Girish Beeharry
% Proofread by          : Girish Beeharry
% Latest update         : November 1, 2010
% Send corrections to   : sanskrit at cheerful dot c om
%
% This text is prepared by volunteers and is to be used for personal study 
% and research. The file is not to be copied or reposted for promotion of 
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% Please help to maintain respect for volunteer spirit.
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\engtitle{.. shrIrAmastuti ( tulasIdAsa )   ..}##
\itxtitle{.. shrIrAmastutI ( tulasIdAsa ) ..}##\endtitles ##
          .. atha shrIrAmastuti ..##
##
shrIrAmachandra kR^ipAlu bhaju mana     haraNa bhavabhaya dAruNam.h .
navaka~nja lochana ka~nja mukhakara     ka~njapada ka~njAruNam.h .. 1..
ka.ndarpa agaNita amita Chabi    nava nIla nIraja sundaram.h .
paTapIta pAnahu.N ta.Dita ruchi suchi    naumi janaka sutAvaram.h  .. 2..
bhaju dIna bandhu dinesha dAnava    daityava.nshanikandanam.h .
raghunanda Ana.ndaka.nda koshala    chanda dasharatha nandanam.h  .. 3..
sirakrITa kuNDala tilaka chAru    udAra a~Nga vibhUShaNam.h  .
AjAnubhuja sara chApadhara    sa~NgrAma jita kharadUShaNam.h .. 4..
iti vadati tulasIdAsa sha~Nkara    sheSha muni manara~njanam.h .
mama hR^idayaka~nja nivAsa kuru    kAmAdikhaladalama~njanam.h  .. 5..
mana jAhi rAcho milahi sovara    sahajasundara sA.nvaro  .
karuNAnidhAna sujAna shIla    saneha jAnata rAvaro . 6..
ehi bhA.Nti gauri ashIsa suni siya    sahita hiya harShita alI .
tulasI bhavAnihi.n pUji puni puni   mudita mana mandira chalI .. 7..
     jAni gauri anukUla    siya hiya harShanaH jAta kahi .
     ma~njula ma~Ngala mUla   vAma a~Nga parakana lage ..
        siyAvara rAmachandra pada gahi rahu.N .
        umAvara shambhunAtha pada gahi rahu.N .
        mahAvira bajara.NgI pada gahi rahu.N .
        sharaNA gato hari ..
##
Encoded and proofread by Girish Beeharry (gkb at ast.cam.ac.uk)
This is written in Hindi(Awadi rather, the language of Ayodhya
and of the rAmacharitmAnasa).
1) The stuti itself is simple . The 1st part of each half-verse is sung
with the pitch going up [ :-) ] . The 2nd part is rather toned down.
Until someone comes up with a good idea on how to convey the pitch.
The spacing has been increased at the pauses.(It is possible that
each shloka is 12 - - 10 - - -/ 12 - - 10/- - - - )

2) The last 4 lines are repeated during rAmacharitamAnasa chanting.

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