On the vedic anusvAra
The shaunaka, mAnDukya, pANini and other authorities have
declared that the anusvAra 'M' in its original state
is a voiced sound involving only the nAsika and no
other oral articulation (e.g.
anusvAra yamAnAM
cha nAsikA sthAnaM uchyate). This differentiates it from the other anunAsikas
such as 'ma', 'na' Na, '~na',
'~Na' which are sounds with specific oral articulations that are tinged with
passage of air through the nasal cavity. In the pure anusvAra
the mouth is kept naturally closed without forming any particular articulation
and the air is allowed to pass, superficial contacting the oral cavity into the
nasal cavity. However, it does not pass into the oral cavity to resonate within
it. In English this approximated by the sound value of 'n' in saint. In
practical vedic recitation
there are certain complexities in the actual sound values taken.
Typically the terminal anunAsikas such 'm' in rudra(m)
'n' in ud va(n)danam are consonants and pronounced as such. In the below
discussion the anusvAras are bracketed by {}. The R^igveda (shAkalya) and atharvaveda (shaunaka and paippalAda) the pure anusvAras
are encountered in two contexts:
1) The first is denoted by the chandra-bindu notation
in Devanagari scripts. E.g. "mahA{n} indro
ya ojasA". The {n} is
uttered as a pure anusvAra described above and cause
the vowel preceding it to extend an extra matra.
2) The M coming before the consonants 'ghn' or 'GY'.
e.g.1 "nakiShTa{M} ghnanty antito
na durAd". e.g. 2 sa{M}GYAnena
These anusvAras are technically termed the shuddhAnusvAras.
The gAnaM-s of the sAmaveda
may render these as musical reduplicated nasal sounds.
In the yajurveda the system is more complex with the
presence of multiple anusvAras including the GM sound:
1) The simple shuddhAnusvAra occurs in the yajurveda only when a 'ghn' or
'GY' occurs after it. E.g: "ima{M} ghnanti"
or "sa{M}GYAnaM".
It is pronounced as a purely nasal sound as described above.
2) If a terminal anunAsika occurs before a 'ra', 'sha', 'Sha',
'sa' and 'ha' OR if it is an anusvAra
indicated in the R^ik-s by a chandrabindu
occuring before a naked vowel, then it transforms
into a GM.
E.g. (Clause 1) vivaya{M} ruhema=>vivaya{GM} ruhema; divaM dR^i{M}ha=> divaM dR^i{GM}ha; prajayA sa{M}rarANo=>
prajayA sa{GM}rarANo
E.g. (Clause 2) mahA{n} indro
vajrabAhuH=> mahA{GM} indro vajrabahuH
These are technically known as AgamAnusvAras.
3) If the terminal anunAsika is preceded by a long
vowel and it occurs before a consonant sh, Sh, s, h, then instead of a GM it becomes a mere G with out
the 'M' sound.
e.g. tapU{M} Shy agne=> tapU{G} Shy agne; jyotI{M}Shi archaH =(sandhi rule)=> jyotI{M}Shy archaH =(anusvAra rule)=> jyotI{G}Shy archaH
This is known as the lupta AgamAnusvAra.
4) If the terminal anunAsika is preceded by a short
vowel (a, i, u) and it occurs before a consonant sh, Sh, s, h, then instead of a
GM it becomes a re-duplicated GG with out the 'M' sound.
e.g. pu{M}schali=> pu{GG}shchali; tva{M} hi agne =(sandhi rule)=> tva{M} hyagne =( anusvAra rule)=> tva{GG} hyagne; indraM svasti => indraGG svasti.
This is known as the dvirbhUta lupta
AgamAnusvAra. The above three GM, G and GG anusvAras occur in the specified fashion in the taittirIya, maitrAyaNa, kaTha, charaka
and mAdhyaMdina saMhitA-s
of the yajurveda. The kANva
saMhitA converts all AgaMAnusvAras
to G or GG.
5) There are special anusvAras indicated by the
number '3'. In this case the long vowel preceeding them are drawn out to musically to 3 mAtras.
These are on rare occasions also encountered in the R^igveda
(e.g. i n the AraNyAni sUktaM and nAsadIya sUktaM) and the atharva veda. In the yajur
veda one of the famous
occurrences of this anusvAra in the brahmAn formula to mitra-varuNa
and indra (1.8.16).
e.g. (from the brahmAn chant): sushlokA3{n}
suma~NgalA3{n} satyarAjA3{n}
Note the special '3' anusvAra symbol superceding all other rules. This is the samAyata anusvAra.