Bhagavad Gītā – Chapter 1 Notes
In Chapter 1 of the Bhagavad Gītā, the seer Sanjaya describes the scene on the battlefield for the benefit of the blind king Dritarashtra. Sanjaya describes the scene in general, then focuses on Krishna and Arjuna. Arjuna, filled with despair at the thought of having to fight his own kinsmen even though they are evil, throws down his bow and says he won’t fight. He then turns to Krishna and asks for his advice.
The remainder of the Bhagavad Gītā is essentially a wide-
The orthodox Hindu viewpoint condones war for the warrior class: it’s their dharma
to fight in a good cause, for good leaders. This kind of war is in accord with God’s
will. But there is also a possible allegorical interpretation – war represents the
cosmic struggle between good and evil. In the Gītā Krishna is asking Arjuna to engage
in a spiritual struggle against his lower self. [See Easwaran, pp. 50-
Verses 40-
Notes from Radhakrishnan’s commentary on BG (numbers are line numbers)
1 The quality of deciding what is right or dharma is special to man. Hunger, sleep, fear and sex are common to men and animals. What distinguishes men from animals is the knowledge of right and wrong.
The world is dharmakṣetra, the battleground for a moral struggle. The decisive issue lies in the hearts of men where the battles are fought daily and hourly. … The aim of the Gītā is not so much to teach a theory as to enforce practice, dharma. We cannot separate in theory what is not separable in life. The duties of civic and social life provide religion with its tasks and opportunities. Dharma is what promotes wordly prosperity and spiritual freedom. The Gītā does not teach a mysticism that concerns itself with man’s inner being alone. Instead of rejecting the duties and relationships of life as an illusion, it accepts them as opportunities for the realization of spiritual freedom. Life is offered to us that we may transfigure it completely.
14 Throughout the Hindu and the Buddhist literatures, the chariot stands for the psychophysical vehicle. The steeds are the senses, the reins their controls, but the charioteer, the guide, is the spirit or real self, ātman. Kṛṣṇa, the charioteer, is the Spirit in us. (cp Katha Up III.3)
20 Suddenly, in a moment of self-
47 The distress of Arjuna is a dramatization of a perpetually recurring predicament.
Man, on the threshold of higher life, feels disappointed with the glamour of the
world and yet illusions cling to him and he cherishes them. … Before he wakes up
to the world of spirit and accepts the obligations imposed by it, he has to fight
the enemies of selfishness and stupidity, and overcome the dark ignorance of his
self-